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’Stackstock sounds off

Big-city talent at inaugural music festival
By Erick Bengel

The Daily Astorian

Published on October 2, 2017 11:34AM

Last changed on October 5, 2017 3:22PM

Colin Meloy, frontman of The Decemberists, plays solo at the first ‘Stackstock Music Fest.

Erick Bengel/EO MEDIA GROUP

Colin Meloy, frontman of The Decemberists, plays solo at the first ‘Stackstock Music Fest.

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The OK Chorale PDX — represented here by (from left) Cardioid’s Lizzy Ellison, Pure Bathing Culture’s Zach Tillman and Wonderly’s Jim Brunberg — play “Purple Rain.”

Erick Bengel/EO MEDIA GROUP

The OK Chorale PDX — represented here by (from left) Cardioid’s Lizzy Ellison, Pure Bathing Culture’s Zach Tillman and Wonderly’s Jim Brunberg — play “Purple Rain.”

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Pure Bathing Culture’s Daniel Hindman plays during the band’s set at ‘Stackstock.

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Pure Bathing Culture’s Daniel Hindman plays during the band’s set at ‘Stackstock.

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Pure Bathing Culture’s Sarah Versprille and Daniel Hindman play at ‘Stackstock.

Erick Bengel/EO MEDIA GROUP

Pure Bathing Culture’s Sarah Versprille and Daniel Hindman play at ‘Stackstock.

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Ages and Ages performs at ‘Stackstock.

Erick Bengel/EO MEDIA GROUP

Ages and Ages performs at ‘Stackstock.

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Audience members at ‘Stackstock dance to OK Chorale PDX’s version of Fleetwood Mac’s “Dreams.”

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Audience members at ‘Stackstock dance to OK Chorale PDX’s version of Fleetwood Mac’s “Dreams.”

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Jessica Wicker, part of ‘Stackstock’s security team, watches Cardioid play on stage from near the VIP section.

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Jessica Wicker, part of ‘Stackstock’s security team, watches Cardioid play on stage from near the VIP section.

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The dancing at ‘Stackstock began when Cardioid took the stage.

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The dancing at ‘Stackstock began when Cardioid took the stage.

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Edna Vazquez, of the Edna Vazquez Acoustic Trio, performs at ‘Stackstock.

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Edna Vazquez, of the Edna Vazquez Acoustic Trio, performs at ‘Stackstock.

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Facing a rapt audience at his feet and a bright crescent moon over the Pacific, Colin Meloy, the frontman of The Decemberists, took the stage at the first-ever ’Stackstock Music Fest, offering up a solo set tailored to the coast.

At the Sept. 23 show, held at Martin North’s Haystack Gardens in Cannon Beach, the songwriter of the Portland indie folk-rock band performed classics such as “Oceanside” and “Down By The Water,” plus songs from an upcoming album.

And, since this was Meloy — a musician who knows what he is known for — his bittersweet ballads, though playing to the coastal experience, “also pours water on that, sort of like a miserable coastal experience,” he said.

“But that’s sort of what you get when you invite me to play your festival on the idyllic coast of Oregon,” he reminded the crowd.

Meloy — the kind of high-level big-city talent the North Coast rarely books — closed out an eight-hour concert featuring prominent Portland bands: Wonderly, the Edna Vazquez Acoustic Trio, Cardioid, the OK Chorale PDX, Ages and Ages and Pure Bathing Culture.

Organized by Ryan Snyder, president of Martin North hospitality company, ’Stackstock drew roughly 600 people total — some locals, many Portlanders — who flowed in an out of the outdoor venue throughout the day, Snyder estimated.

Attendees consumed food and drinks — some in VIP quarters — brought lawn chairs and reveled in a music event they described as “relaxed,” “intimate,” “breezy and amicable.” There was space enough on the synthetic lawn to dance, mingle and share an aesthetic experience with plenty of elbow room.


A new energy


Some band members joined the audience after their sets.

Hanging out with her father and stepmother, Adrien Young, who plays bass in Cardioid, said the band agreed to perform at ’Stackstock “because the lineup was already so good.”

Ages and Ages’ Sarah Riddle, a vocalist who also plays percussion and keyboard, was there — on her birthday — with her favorite people: her boyfriend, stepmother and bandmates. Riddle said the ’Stackstock organizers “made a smart move keeping it small the first time around. Intimate is always good for your first run.”

Jim Kingwell, co-owner of Icefire Glassworks across the street from Haystack Gardens, said, “I’m loving this. It’s a kind of energy we haven’t felt here.”

Calling the festival “low-key posh,” Kingwell said ’Stackstock “doesn’t have the affectations of more sophisticated venues,” he said. “You can be comfortable and absolutely yourself in this scale of an event.”

Next to Kingwell sat Marty Giguiere, co-owner of Cannon Beach’s RE/MAX Coastal Advantage, who likened ’Stackstock to a small-scale rendition of Jacksonville’s Britt Festival.

“The energy that the Britt Fest creates — this is Cannon Beach’s version of it, nailed,” Giguiere said.

Music lovers in media

’Stackstock attracted people plugged into the Pacific Northwest’s music scene.

Jen Emerson, a DJ with the Portland Radio Project who has interviewed Cardioid’s lead singer, Lizzy Ellison, came to support her.

Sean Edgar, a Portland journalist, came to cover it for Paste Magazine.

“Portland’s been through a lot recently, I think, with the fires,” he said, “and I think having this nice little seaside gathering with a bunch of Portland bands took some of the pressure off.”

Though Meloy has been featured on the cover of Paste, Edgar had never seen him play live. The idea of seeing the man who composed “The Mariner’s Revenge Song” perform in a maritime setting was “too much for me not to do.”

Mark Evans, of 94.9 The Bridge morning show, said he and his wife, Mickie, came to see Ages and Ages — a band the Seaside-based station plays often — as well as Meloy.

Noting that “it’s great to have the indie acts perform here locally,” he added: “It’s just a start; it’s the very first one, so I think there’s more to come after this.”


A special moment


After the show, Snyder said he “could not be any more elated about today.” But he doesn’t yet know if there will be a ’Stackstock II.

“Do I do it again? Maybe, maybe not. I’m not sure,” he said. He has tried not to think beyond the inaugural show “because this moment is so special to me.”

The music festival is part of an ongoing transformation of Martin North — formerly Martin Hospitality — which opened Public Coast Brewing Co. last year and, last month, threw the Hayday! craft brew fest at Haystack Gardens.

Snyder said he’s had many sleepless nights in recent weeks. “It’s been very intense because of my desire not to disappoint,” he said.

Snyder, who once co-founded an independent record label, said he can’t name anyone more fortunate than himself these days; he’s been able to concentrate on his passions: food, beverages, hospitality — and now music.

The company’s goal, he said, is to create experiences that will make people want to return to town, that will make them tell their friends: “You’re not going to believe what we just did in Cannon Beach.”

‘I love you, Colin!’

During Meloy’s performance, Snyder quickly realized the gift he had brought.

The crowd, which peaked late afternoon, had dwindled somewhat by the time Meloy appeared at nightfall. While the balladist played, his breath fogging in the air of a chill autumn night, his devotees edged closer to the stage.

Some people were silent and emotional and, as he sang, mouthed Meloy’s literary lyrics along with him. The stage lights bathed the front rows in bright rotating colors, while, against the warm glow of Haystack Gardens’ interior, spectators swayed in silhouette.

At one point, a man in the audience shouted, “I love you, Colin!” Then another guy admonished the first: “I already said that!”

A woman yelled out at Meloy: “They’re fighting over you!”













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